Saturday, 2 January 2016

Folk Art Furniture - turning trash into treasure

I became interested in Folk Art after reading Earlene Fowler's Benni Harper mysteries, in which Benni runs a museum and manages a community of artists. That's how I came across Folk Art. She doesn't go into great detail in the series, but I was interested enough to investigate and what did I find?

Something that filled me with excitement, that's what.

To my surprise, I also discovered a friend had a secret passion for it. When I reached under her coffee table one visit and brought out a treasure box painted like a space galaxy, she confessed. 

Now, this wasn't totally out of the blue because I've always defaced furniture and walls with stencils or calligraphy, much to Husband's dismay. Whilst selling our last house, the firm of 20 real estate agents did a 'walk through' before commencing the sales process which would take us to auction. At the end, one of them took my husband aside and gave him some advice. 

"Get the marijuana off the walls, mate."
"Yeah, the stenciled hash. Paint over it. It'll make it hard to sell if you don't."

Now, I know it was maple leaves. I know that because it looked like the beautiful delicate fingers of a maple AND it was a child's stencil set. What kind of manufacturer gives children hash leaves to colour in? Perhaps there was something about the type of green I'd used but ah well; they were gone before the first viewing and I've been reluctant to stencil walls again. 

But eyes lit up in a way which makes Husband cringe and think, 'Here we go again.'

So, for the last eight years, nothing's been safe or out of bounds. He can't protect everything; he has to leave for work sometime and I get home earlier than him. That's what I call my Golden Hour.

Below is the link to my latest bit of Furniture Fiddling. It's not overly lush in the paint effect used because the point of this piece was to reduce the busyness around that area, so to cover it in loud flowers and dramatic colours would have negated its effectiveness.

Read and enjoy.

Click the link HERE


Wednesday, 30 December 2015

Fearing Change is an obstacle to growth

Anyone else feel like this...more than occasionally?

Fearing change, especially of the IT variety is common, but regarded as something to feel shameful about. 

But it happens to most of us at some point. 
Usually me.
Pretty much always me actually. 

Enjoy this blog about being scared of computers. Feel the sweaty palms and experience the terrible lows of...the new laptop.

Tuesday, 29 December 2015

Review: Kissing Demons

Kissing Demons Kissing Demons by Jen Winters
My rating: 4 of 5 stars

This was an interesting start to a series involving angels, demons and such beasties as werewolves and vampires. The main female character acts out a pivotal role within the novel, a woman of extreme power who is the lynch pin for the main action. There is a sense that the writer is hugely invested in the plight of humanity and despite the often amoral goings on, there is a thread of conscience which runs throughout. The book was relatively easy to get into with some decent twists and turns from the off and the main character is hard to dislike. I struggled a little with the portrayal of the Aspects because some of their behaviour was a stretch too far for characters essentially lifted straight out of the bible. I felt the portrayal of the setting was fascinating and descriptive enough to keep me reading. Well written and great follow through. You’d have to read the next one in the series once you started.
4 stars.

View all my reviews

Monday, 14 December 2015

Turning Trash into Treasure - the Writer who Paints

As well as writing, my other vice is painting. There's nothing like the feel of a paintbrush in my hand to polarise my thoughts and emotions. One day that brush might make me feel like a champion and another time, the same brush could paint me a failure.

As well as commissioned landscapes of oils on canvas, my hobby is Folk Art and furniture painting. I see a piece of junk and it becomes a treasure in my mind.

So when the builder finished up for the day yesterday and I begged a number of pieces of left-over wood, obviously he looked at me oddly. 

But I have to be honest, my brown eyes lit up.

"What are you gonna do with them?" he asked, his fingers itching to throw them in the back of his truck.

"Make book ends," I said, keeping a straight face.

He didn't believe me. Nobody ever believes me, so I thought I'd photograph and blog my progress during an afternoon of complete painting bliss. So here goes...

The blocks weren't in a great state. Nothing about them screams, 'use me for something creative inside your house,' so when junk using, you have to take what you can get. The other end of this block is buried in my back garden as the support struts for the new deck. Builders, look away now...

No, I didn't want to sand this little blighter by hand. The appalling state of our shed left me no choice and so I spent ages removing the nicks and rough surfaces of my blocks, whilst swearing like a trooper and sending the step register on my Fitbit into orbit.

I picked two different sizes because extreme compulsiveness tells me that two blocks of almost the same size will never be quite equal. This fact will bother me for the rest of my days until I give away my most marvelous creation. Hence two completely different sized blocks, because they can never be compared. 

After sanding, give them a rub with turps to remove the dust and grease. Then give them another light sand, as turps raises the grain.

For this afternoon, I'll just deal with the smaller of the blocks because...because I'm in charge and that's what I've decided.

Rule the books onto the block, front and top side at the intervals you need them.

If I wanted to sell these, I would probably fill the cracks in the wood but I rather like the rustic nature it gives the overall finish, reminding me that it is after all, a piece of wood. 

Start with the base coats, filling in the sections for the different books.

I filled in the two side panels but didn't worry about the base or the back. Nobody will see it. If a visitor picks a book, they'll get a shock, won't they?

Crackle glaze the books which you wish to have a worn appearance. The bottom colour will show through. You don't have to crackle any of them, but it's my favourite medium and I use it every opportunity I get.

While the crackle glaze is drying, start decorating the spines of the other books.

Paint the top of the block to represent pages.

Put the top colours over the crackle glaze.

Start adding more detail to give an overall effect.

Finish the top of the block so that it looks like the spine wraps around the pages. I've done that part black but you could use dark grey or brown if you didn't want it to pop so much.

Notice how the crackle is beginning to work; be careful, it's fragile while it's working.

I wanted one of the sides to look crackled and have an aged appearance. 

Brush a grey wash into the pearl white to give an illusion of wear and tear on the pages and to dull the effect.

Add more detail and shading to the books to give them realism. Decide which side the light will come from and throw shadows and highlights.

I've added more detail on the spines and overlaid brown onto the gold layer in the middle with crackle glaze underneath. That spine now has brown-gold-brown on it and is making an interesting distressed look. 

I blended the book second to right as the crackle glaze went a bit crazy. 

The light's not great for the photo but I'm quite pleased with the overall affect.

It's going to sit here and dry for now while I clear up all the paint brushes and water. As you saw, I don't use professional equipment. My paint tray is an old ice cream tub lid and my water jug a mug which goes in the dishwasher afterwards.

I haven't decided what I'll do to the other block of wood but might paint it one colour and put Folk Art flowers and decorations on it. I'll see how I feel when I pick up my brush.

Hope you enjoyed the little tutorial and that it gives you the confidence to try turning your trash into treasure.

Love K T Bowes x

#art #trashtotreasure #painting

Saturday, 12 December 2015

Editing through Kindness - Skirt Yankers who care about exposed bums

I watched a lovely lady wander through a church buffet once and gasped in horror at her terrible faux pas. Having visited the toilet, she’d accidentally tucked her skirt hem into her white knickers and moseyed happily through a large group munching on her scone. It looked awful. It was one of those heart stopping moments where I knew I had to do something as her bottom drifted past my face, but temporary paralysis kept me in my seat as I wondered how to sort it out.

From the blog Travels with an Oka and yes,
you should have let Janet tell her...

How do you mend that kind of public problem without even more awkwardness? Horror was replaced by a thousand questions.

1. I’d never conversed with the lady, so if I yanked it out, would she slap me?
2. What could I say as I fondled the bottom of a stranger?
3. Should I be smiling as I performed the act, or would I look like a pervert?
4. Should I leave it for someone else to deal with?
5. What would I want to happen if it were me?

In a single fluid movement, my friend leapt to life, lurched for the woman, yanked the skirt down, said, “Hey friend, nice legs,” pinched her bottom and sat back next to me.

The lady turned and thanked her with genuine gratitude and my friend continued our conversation. My mouth refused to close and I degenerated into a horrible companion, complete with hero worship and accolade. I made more of a fuss in my seat than she had lurching for a stranger’s bottom. What she did was so natural and it confounded me.

Many years later found me in a different country, working part-time in an all-boys school. Wearing a pretty floral dress, I made my way from the staff toilets to where I’d parked my car that morning, a kilometre away in a side street. To get to it, I needed to walk past the windows of the English department containing over 200 boys aged between fourteen and nineteen. They studied Shakespeare while I escaped for the day. I felt a yank on the bottom of my dress and turned in surprise. “You had your skirt tucked in your...”

The skirt yanker went crimson with embarrassment and flapped her hand wildly at my bare legs. She didn’t know what to say but performed that small kindness for me anyway, a sisterhood in our testosterone laden environment. I thanked her and went on my way, passing the classroom windows without incident. It could have been a very different scene complete with school newspaper headline.

There’s no easy way to point out a screw up but if you care about someone’s dignity, you kinda have to. Yes I write, but I’m also an avid reader. When I see a novel with the same typo repeated to the point of annoyance, or a bad habit in a writer’s otherwise amazing work, I am honour bound as a fellow author to yank that skirt right out of their knickers, even if I don’t have the words to do it without embarrassment.

I’ve said many times how OCD I am about pretty much everything. In the same way I can’t pass something out of place, I also can’t read and ignore blatant oopsies. My secret vice is that I note every error on my Kindle, which shows up as a file marked ‘Clippings’ when I sync with my computer.

The problem is knowing what to do with these ‘edits’ once I have them. Those same questions plague me again.

1. I’d never conversed with them socially, so if I point it out, will they hate me?
2. What can I say as I broach their mistakes?
3. Should I smile sweetly as I defame their product and then never talk to them again?
4. Should I leave it for someone else to deal with?
5. What would I want to happen if it were me?

I will try to communicate with the author because it seems wrong to collect 50+ edits and then delete them when I would love to be sent a file of things wrong and enjoy the opportunity to fix them.

As an author, I’ve permanently got my skirt tucked in my knickers no matter how many times my work is edited. There’s a typo breeding programme which few readers know of and nothing short of annual editing will cull the blighters as they increase inside a perfectly produced manuscript with no encouragement.

As a child I found errors in publications of Enid Blyton. There’s a rather amusing incident in which Noddy goes to bed with his hat on instead of taking it off. That’s just not ok and I noticed it aged 6 concluding that even poor Enid needed a skirt yanker too. I took on the role of self-appointed yanker and composed a letter to Enid which my mother loyally posted from our home on an Air Force base in Gütersloh, West Germany. Many years later Wikipedia reliably informed me that Enid didn’t receive my letter, having died the year before my birth. There were several more skirt yanking moments between myself and Enid and I often wonder what Mother did with my letters. Knowing her, she spent our meagre income on an expensive overseas stamp and posted my offering to Enid’s London publisher without ever receiving a response.

So what to do, what to do? I stop my busyness and find I have twelve A4 pages of edits burning a hole in my ‘helping others’ folder from my latest read.

I’ve had mixed responses through offering my pages of corrections in a Word document, which I spent hours making fit for understanding. One author who I knew by association, accused me of touting for paid editing. She was wrong. There was nothing I could add to the edits I offered for free. She didn’t want them and I deleted them from my file. It was very hard to review her novel after that, knowing she didn’t have a teachable spirit and her work would never improve. Nobody would ever be able to help her, not just me. I read none of her other works and subsequently doubted the 5*reviews she got. She didn’t just have her skirt tucked in her knickers, peculiar grammar and juvenile use of speech meant she had no knickers on at all under there!

The irony is she didn’t need to get personal; she could have accepted the edits, said thank you and walked away. I’ve no intention of checking afterwards that my suggestions were implemented. I’ve moved on. I’m jotting down things from the next book I’m reading.

But there have also been lovely responses. A complete stranger who I stalked on Goodreads to find an email address, thanked me profusely. She’d had numerous paid editors check her work and was surprised. Her novel was clean of typos but one important omission blew her mystery-thriller up in her face. When a reader knows something isn’t possible; the author’s in trouble. She thanked me and I believe she changed her conclusion. I haven’t checked but I wish her well.

My trusty Kindle

I’ve had sweet emails from traditionally published and indie authors but sadly deleted as many sets of notes as I’ve sent. It makes me wonder about all these folk who seem happy to walk around with their skirts tucked in their knickers.

Let’s just get this straight. I am not happy with anything less than perfect. I want a skirt-yanker and if that’s you, then so be it. I shall brace myself for impact.

Yes it can hurt. One of my favourite people in the world is a writer who private messaged me on Facebook and said she’d downloaded my book but daren’t review it because of all the things wrong. She took the trouble to point them out and I spent the next 6 months in edits and rewrites. The words ‘had’ and ‘that’ need an immigration visa nowadays to enter my novels and I know how many have licence to exist, should they try to breed while my back is turned. I bought paid editing help and banned curse words such as ‘just’ from coming anywhere near my keyboard during formal writing. Adverbs are used sparingly, like sprinkles on special occasions. A trusted author reads my beta work before publication and once sent 46 A4 pages in teeny font of things wrong. Gratitude means I return the favour with dedication and pernickety-ness which isn’t a word I know.

I printed all 46 pages off and yes they were double sided. I stapled them by section and
implemented them over one very painful weekend. I remain grateful to Demelza Carlton
who cared enough about me and my work to collect and send them. After a few years of
collaboration, we're down to about 2 pages each pre-release.

Why do I care? Because I do not want my knickers or worse, my bum, on show for the world to laugh at.

So I will continue to make scatty notes on my Kindle as I pound away on my treadmill in the morning. They won’t be essays because I’m short sighted and won’t stop the machine, so if an author finds a convoluted description of the error, they can be sure I fell off.

My qualifications are an honours degree in English and almost two decades in education, plus a decade of writing and making common mistakes. I listen to other authors and do online tutorials related to writing and producing clean work. I am committed to not making the same mistakes twice, which helps with new works.

A short dance with the role of professional editor sent me off the deep end with OCD because I needed to catch everything and I mean everything. What many authors don’t do is read the small print in their editing contract. There may be a clause in it which lists how many edits per chapter can be caught as a minimum. I subcontracted for someone who after I pulled an all-nighter and contacted him in tears because the work (already published) needed a complete rewrite, told me this astounding fact. “Just flag ten errors per chapter.”

“But,” I sobbed over Google Hangout, “I can do that in the first paragraph.”

“Yeah, don’t do that,” he said. “Spread it out a bit. And by the way, you’re flagging grammar and typos, not doing rewrites. It’s a 6 hour job. I can’t pay you for the other 28 you’ve done but thanks for all the updates. Maybe for you, I don’t need them hourly, despite what it said in your contract.”

The expression is, ‘horses for courses.’ Different editors catch different error types. You may have employed two professional editors, but they weren’t paid to overhaul your entire manuscript. And each person is different. One has a pet hate of word misuse while another goes after passive voice like a heat seeking missile. Horses for courses. Never forget that.

I go after many things and can’t stop. I won’t walk past those belly-pants on show for the world and I can’t do it professionally because I’m too obsessive and it makes me ill. If I do it as a reader, I convince myself it’s part of my reading process; not my job. Phew. That makes it all right then.

One question remains unanswered. When someone offers you free edits why would you not take them? I can’t offer any clues. When a lovely reader recently pointed out an error in my latest novel I thanked her gratefully and went after that little sucker in my manuscript like a zombie hunter, hoping to find the nest while I was in there.

The satisfaction of knowing my knickers are temporarily not on show is overwhelming. Send them. Send those errors in their ones and twos, warn me gently if they’re in their tens but send them.

Yank that skirt out of my knickers. Don’t leave me showing my bum when you know I’ll be embarrassed. Please I beg you and promise I won’t shout.

#free #editing #OCD #author #knickers

Saturday, 5 December 2015

Being a Christian in the World of Indie Publishing

If you’ve read my work then you already know I don’t do the whole bible-bashing thing. Why would I? It won’t make you like me and it certainly won’t make you change your mind. I’m a Christian but that doesn’t mean I insist you are too. I can love you for who you are, can’t I?

Instead of beating you over the head with my tambourine, isn’t it more important that you see me having pleasant interactions through my brand, avoiding loud public conversations involving character assassination or getting involved in pointless political debate on subjects I know nothing about? I’m not perfect. I express my opinion with added bile but usually on my personal pages with the few trusted friends who will straighten me out, dust me down and send me on my way.

It’s difficult being a Christian and an author because it throws up issues which other writers don’t have. I love sex and could write erotica with a good plot in a heartbeat; but I probably shouldn’t. There’s an illusion that my writing mustn’t traverse biblical boundaries or stray into anything risqué but I write about the real world which is full of exactly those kinds of situations. I’ve been part of Christian communities and believe me, there’s enough sex, violence and attitude in them to make even the most liberal of hedonists hair curl into a permed bob.

St. Francis of Assisi said, “Preach the Gospel at all times, if necessary use words.” My words and writing should be the last resort, shouldn’t they?

I joined an online Christian writers’ group thinking it would be helpful and to some extent it was. But many of them wanted to produce clean, perfectly sanitised novels with some wonderful meaning which satisfied their need for anonymous outreach. That’s cool. I wouldn’t be interested in reading them because I err on the side of realism, introspection and quirky twist plots. Good on them for their stance but I can’t write something which ends with, “We all got saved and went home for tea.” If I only got my husband into bed through intimation and innuendo, the Premier League Soccer on the TV would win every time. Sometimes in the real world you just have to rip your nightie.

One of my novels, A Trail of Lies, deals with a teenager who self-harms, has underage sex and lives in foster care. Yeah, that was never going to fly in a Christian group, was it? I agonised over that novel but it didn’t matter which way up I turned it, the story needed telling in its raw state.

Only one of my fourteen books is overtly Christian and that’s Demons on Her Shoulder. The cover graphic of the legendary Lincoln Imp who sits in the cathedral beneath him kinda gives it away. But the blurb shouldn’t leave anyone in doubt, introducing a woman who’s a Christian counsellor in an English inner city church. If you’re raising your eyebrows you perhaps don’t realise I’ve had messages from perplexed readers who didn’t know it was Christian and they could be forgiven for thinking it was a kind of Da Vinci Code play off. Maybe. They gave me good reviews though, which is awesome and said nice things - which is unusual for a Christian novel.

My other thirteen novels aren’t Christian but the common denominator is the inclusion of one Christian character. That one lonely flag flyer won’t be perfect because I’m forced to base them on my own faulty experience. They slip up and swear, they mess up and do stupid things and they step over the boundary line and fall in love with atheists and agnostics. 

In A Trail of Lies, I’m actually not very nice about Christians. It’s an unusual stance for a believer, I know and I suppose God might be frowning about now. Callister’s definitely not a believer in anything other than survival and the search for acceptance but she meets a few of the wonderful tambourine banging populace who I’ve had the joy to cross paths and prayers with over the years. Her confusion and sense of being out-of-place is very much my own. It didn’t go down well with the Christian group who PM’d me long essays with biblical quotes and suggestions of penance.

I’ve been back to God and tried to hand the whole writing thing back over, deeming my inner thoughts far too unworthy to spew out on paper and be in any way blessed. You know what? He handed the whole thing back with a wink and a shove. “Get on with it, woman. You’re doing fine.”

Occasionally I have a crisis. In The New Du Rose Matriarch I wrote a whole scene where the lusty Tama Du Rose gets it on with the ex-school typist on poor Hana’s hearth rug. I wrote it and rewrote it and it just wouldn’t sit right. I published the novel and nobody complained about the sanitised peck on the cheek and rumpled rug but it felt like a blank space in an otherwise great novel. So I rewrote that section and released the realism because Hana knew what happened on her rug and so did I.

I’m not feeding the masses; I’m trying to be me. I open my mouth and my brains roll out so why would my writing be any different? Nobody needs to swing from chandeliers shackled to each other’s nose piercings but if I want the reader to believe me when I describe a crime scene, how can I not be truthful about the other stuff?

I’m a firm believer in writing about what I know. It’s why I don’t write science fiction because how many battle stations look like my dining room? I know Christians are faulty and make mistakes because I’m one of them. I fall over, get up and fall right over again. I live in a real marriage which I frequently push to boiling point through my own stupidity and have real children who take me from one end of the emotional scale to the other and somewhere in between. Perhaps it’s the cost of being real, to offend all those lovely people with shiny halos and perfect lives. I didn’t become a believer until I was thirty and maybe that’s where the difference lies. I know how it looks from the outside and it’s not the cozy bubble that insiders might believe. It’s elitist and clicky, cause-hungry and desperate for purposeful projects. I call it as I see it and if the heavenly lightning bolt is asunder, I’m hoping it gives me special powers on its way through...

As one of my children wisely said recently. “Grandma reads it and loves your books. I’d be more worried about her than the pastor’s wife. The pastor's wife won't whack your butt.”

Review: A Dead Red Cadillac

A Dead Red Cadillac A Dead Red Cadillac by R.P. Dahlke
My rating: 5 of 5 stars

During a bored moment I noticed an ad for a free boxed set containing the Lalla Bains series and snapped it up. Despite having a to-be-read list as long as my arm I dug in, captivated by the cover and wacky title.

Loved it. It's not gory or horrific but has this feel good factor attached to every line of sleuthing. I ended up reading all 3 of the novels in the boxed set. Lalla Bains blunders through life in a single minded way which will resonate with most busy women, leaving the important things to later and getting herself into deep trouble.

I enjoyed the small town, Heart of Dixie type setting and the close knit community which Dahlke illustrates with tongue in cheek hilarity. My favourite part of the novel though, has to be Lalla's inner dialogue which is snort-worthy. An example of this would be when she finds a lecherous, arrogant cop injured. She wrestles with calling an ambulance or rolling him into the road as a speed bump. Hilarious. Can definitely recommend.

It's good old heart-swelling cozy mystery set in contemporary America, in a town which time has left blissfully alone.

View all my reviews